Publications 5: Unpublished Papers and Keynote Addresses

(Keynotes identified by ‘*’)

‘Richard I and Music’.  Centre for Late Antique and Medieval Studies, King’s College London, 2 December, 1989

‘The Sources of Trouvère Song’.  University of Iowa, 13 November 1990

‘The Composition and Insertion of Refrains in the Thirteenth-Century Motet’.  Conference on Music and Narrative: The Poetics of Lyric Insertions, Newberry Library, Chicago, 6 October 1991

‘The Magnus liber organi: Editions, Transcription and Performance’.  Faculty of Music, University of Cambridge, January 2001

*‘Music, Performance and Culture, or Where does Music Come From?’  Twelfth Annual Calloway Lecture, University of Western Australia, July 2004

*‘The Power of Tradition: The Performance of Medieval Music since 1930’.  Western Australian Academy of the Performing Arts, August 2004

‘Digital dossiers de presse: Opportunities, Methods, Limitations’. AHRC Network Meeting, Francophone Music Criticism, 1789-1914, Paris, June 2008

‘The Star of Genius from the Land of the Valkyries’.  Conference on Travelling Virtuosos, Bristol, 5-7 July 2010

*‘The Gothic Revolution in Music?’.  The Gothic Revolution in Music, Princeton University, March 2011

‘Organum and Heresy’.  Annual Conference on Medieval and Renaissance Music, Barcelona, July 2011; Annual Conference of the American Musicological Society, San Francisco, November 2011

*‘Wagner Reception in Paris: Rienzi, 1869’.  Institute of Musical Research, May 2012;.  Royal Musical Association Research Students’ Conference, University of Southampton, January 2013 (keynote address); Columbia University, April 2013; University of Chicago, April 2013

‘Choriste, danseur, comparse: Dance and Movement in opéra comique during the July Monarchy and Second Empire’.  Opera as Spectacle, Institute of Musical Research, June 2012

*‘Recherches numériques, problèmes méthodologiques: au-delà des bases de données’. Société française de musicologie, Université de Lyon 2, September 2012

*‘Montpellier 8: Anatomy of ….’  Montpellier 8 Conference, Oxford, March 2014

 *‘Meyerbeer and the Hound of the Baskervilles’.  Meyerbeer and French Grand Opéra, Biblioteca Comunale Forteguerriana, Pistoia, September 2014

*‘Whose West?  Whose East?: 21^st-Century Global Musicology and the Historiography of 18^th and 19^th-Century Music’.  West Meets East: Intercultural Transfers in Music, Singapore, April 2015

‘Taming Verdi’s Bull’.  Conference on 19^th-Century Music, Oxford July 2016; IMS Symposium St Peterburg, September 2016; IMS Conference, Tokyo, March 2017

*‘Cosmopolitanism and Music for the Theatre: Europe and Beyond, 1800-1870’.  Music History and Cosmopolitanism: Fourth Sibelius Academy Symposium on Music History, Helsinki, June 2016

*‘Géneros de teatro musical: conexiones e interacciones: I Seminario de Investigación del Proyecto de I+D – MadMusic. Espacios, géneros y públicos de la música en Madrid, ss. XVII-XX, Madrid, September 2016

‘Anonymous IV and the Conductus’.  Medieval and Renaissance Music Conference, Prague, July 2017 and AMS Rochester, November 2017

*‘Music Criticism: Critical Discourses’.  La Critique musicale en France et dans les pays francophones, 1789-1914, Tenth Anniversary Conference, Paris, July 2017

‘Music, Pleasure and the Intertextual Arts in the Long Thirteenth Century’.  Gothic Arts: An Interdisciplinary Symposium, University of Pennsylvania, March 2018; Ars Antiqua iii: Music and Culture in Europe, c1150-c1330, Lucca, November 2018

‘JUPITER: Reading the ‘Viennese Classics’ in 19^th-Century Britain’.  Rethinking Musical Transcription and Arrangement, May 2018

‘Parry’s Friends’.  Hubert Parry and the Past, Royal College of Music, October 2018

‘Optimising Opérette: The Théâtre des Fantaisies Parisiennes, 1865-1873’.  Gaiety, Glitz and Glamour — or Dispirited Historical Dregs? A Re-evaluation of Operetta, Leeds, January 2019

*‘Música, placer y las artes intertextuales a lo largo del siglo xiii’.  II Congreso Internacional de la Comisión de Trabajo: “Música y contextos en el mundo ibérico medieval y renacentista” (MEDyREN), Sociedad española de musicología, Borja, April 2019

*‘Facere, componere, invenire : vivre en tant que compositeur au Moyen Âge’.  Compositeur(s) au Moyen Âge, Rouen, May 2019

*’Music and the Epistolary Word, Emily Anderson and Musicology’.  Emily Anderson Symposium, Galway, October 2020

*’Medieval and Modern: From Source to Sound’.  Bureau des Jeunes Chercheurs, IIIe Congrès Doctoral International de Musique & Musicologie, Paris, November 2021

*’‘Opera’ off the Stage: Gender and Genre in opéra de salon‘.  Gender, Sexuality and Eroticism on the Lyric Stage, Lucca, October 2022

 

Everist has also read papers, which were subsequently published, at the Universities of Lancaster, Reading, Oxford, Southampton, Surrey, Cambridge, Canterbury, Leeds, Chicago, Columbia, Pittsburgh, Pennsylvania, Wisconsin at Madison, Texas at Austin, The Ohio State University, California State University at Fresno, Catholic University of America, Humboldt Universität (Berlin), Hochschüle für Musik (Frankfurt-am-M.), Université Jean Monnet St Etienne, Université de Bourgogne, Universität Zaarbrücken, Universität Mainz, University of Kentucky, annual meetings of the American Musicological Society in Philadelphia, Baltimore, Oakland, Pittsburgh, Boston, Columbus, Washington DC, Nashville, San Francisco, Louisville and Rochester, annual conferences on Medieval and Renaissance Music, annual conferences on Nineteenth-Century Music and meetings of the Royal Musical Association.