21-22 November 2024: [conference paper] ‘Paroles, notes et construction d’une musique vernaculaire dans le long XIIIe siĂšcle’, at conference (Re)-donner sens:
LâĆuvre dâart dans tous ses Ă©tats, Amiens
9-11 October 2024: [conference paper] ‘Words, Notes and the Construction of a Vernacular Music in the Long Thirteenth Century’, at conference La poesia cantata nel medioevo. Strumenti e metodi per l’edizione e l’interpretazione, Florence
11-13 September 2024: [conference paper] ‘Aetas Aurea: The Parisian Conductus and the Legacy of Classical Antiquity’, at conference Royal Musical Association 150th Anniversary Conference, London
4-6 July 2024: [conference chair, programme committee member and conference paper] ”Un caractĂšre tout Ă fait classique’: AmĂ©dĂ©e MĂ©reaux’s Transcriptions and the Debt to the Past’, at conference France: Musiques, Cultures, 1789-1918′, Paris
15-16 June 2024: [conference paper] ”Practices of Arrangement and the Domestic Debt to the Past’, at conference Nineteenth-Century Musical Amateurs’, Auckland
5-8 June 2024: [conference chair and programme committee member] ‘Musica Mercata: Finance, Commodity and the Music Industry from Antiquity to the Present’, Helsinki
17 May 2024: [conference response] to Clotilde Verwaerde , UniversitĂ© Paris 8, ‘Le roman en romances ou lâopĂ©ra de salon’, Pratiques de la musique de chambre dans lâespace domestique en Europe aux XVIIIe et XIXe siĂšcles, UniversitĂ© de Tours
13-14 May 2024: [conference paper] ”Un caractĂšre tout Ă fait classique’: Les transcriptions d’AmĂ©dĂ©e MĂ©reaux et la dette envers le passĂ©’, at conference Cent-cinquantenaire de la disparition dâAmĂ©dĂ©e MĂ©reaux, Rouen
28-29 March 2024: [conference paper] ‘OpĂ©ra de salon in Paris 1850-1870: Performance, Space and Class’, at conference Mapping Music History, University of Aberdeen
17 March 2024: [radio broadcast] ‘L’Ă©cole de Notre-Dame 12e et 13e siĂšcleL’Ă©cole de Notre-Dame’, La culte des muses, LibertĂ©-FM.
23-24 February 2024: [presentation and continuity] two concerts with L’Ă©lĂ©phant bleu at HĂŽtel PuyRicard-Agar, Cavaillon
23 December 2023: [publication]Â âJUPITER: Reading the âViennese Classicsâ in 19th-Century Britainâ. Â Musical Quarterly 106 (2023) 1-24
9-12 November 2023: [conference response] ‘So What Really is Latin Song in the Medieval World?’, at Annual Meeting of the American Musicological Society, Denver
9-12 November 2023:Â [conference chair] ‘Writing and Collecting Music in the Thirteenth Century: New Perspectives and Historiographical Challenges’, at Annual Meeting of the American Musicological Society, Denver
7-8 September 2023: [conference paper] ‘The âBenedicamus Dominoâ and the Conductus: Distribution, History and Structure’, at conference Benedicamus Domino, University of Oslo
20 July 2023: [publication] âOpera in the Bathroom: Power, Personality and OpĂ©ra de salon during the Second Empire’, Music and Power in the Long Nineteenth Century, ed. Fabrizio Della Seta and Massimiliano Locanto, special issue of Chigiana: Journal of Musicological Studies 52 (2022) 61-78
23-24 June 2023: [conference paper] ‘Publicity, Morality, Gender and the Parisian Lyric Stage, 1789-1918‘, at conference Cultural Intermediaries in the Nineteenth-Century Music Market, University of Bristol
27-28 May 2023: [conference paper] ‘Verdi in Paris – Paris in Verdi’, at BILBAO 2023 VERDI CONFERENCE ABAO/OLBE, Bilbao
30 April 2023: [publication] review of Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France, by Yossi Maurey, Cultural Encounters in Late Antiquity and the Middle Ages 35 (Turnhout: Brepols, 2021) and Vexilla regis glorie: Liturgy and Relics at the Sainte-Chapelle in the Thirteenth Century, edited by M. Cecilia Gaposchkin, Sources dâhistoire mĂ©diĂ©vale publiĂ©es par lâInstitut de Recherche et dâHistoire des Textes 46 (Paris: CNRS Ăditions, 2022), Journal of the American Musicological Society 76 (2023) 260-265
16-19 March 2023: [conference paper] ‘Women, Pianos and the Parisian Periodical Press, 1850-1875’, at conference Women at the Piano, 1848-1970, University of California, Irvine
3-4 March 2023: [conference paper]Â Panel contribution, ‘Airs Connus and the Literary Pot-Pourri’ to ‘The air connu: Words, Music and Intertexts’, France: Musiques, Cultures, 1789-1918, online
3-4 February 2023: [conference paper] âThe air connu and the Literary pot-pourri, 1754-1890â, France: Musiques, Cultures, 1789-1918, online
20 December 2022: [publication] ‘Offenbach et le concert-spactacle Ă la salle Herz’, Offenbach: musicien europĂ©en, ed. Jean-Claude Yon, Arnold Jacobshagen and Ralf-Olivier Schwarz (Arles: Actes Sud, 2022) 55-68
19 December 2022: [publication] âReconstructing the Creative Process: Music in the Nineteenth-Century Theaterâ, The Oxford Handbook of the Creative Process in Music, ed. Nicolas Donin (online edn, Oxford Academic, 2022) https://doi.org/10.1093/oxfordhb/9780190636197.013.23
19 December 2022: [publication] ‘Mozart Englished’, Early Music 50 (2022) 144-146
15-16 December 2023: [conference paper] Two presentations at Quel avenir pour la musicologie numĂ©rique?â, Paris 15-16 December 2022
10-13 November 2022: [conference paper]: Â âMusic from Beyond the Graveâ, at Annual Meeting of the American Musicological Society, New Orleans
28-30 October 2022: [conference paper]: ââOperaâ off the Stage: Gender and Genre in opĂ©ra de salonâ, keynote address, Gender, Sexuality and Eroticism on the Lyric Stage, Lucca