Five Anglo-Norman Compositions from Thirteenth-Century England. Newton Abbott: Antico Edition, 1985
French Thirteenth-Century Polyphony in the British Library: A Facsimile Edition of the Manuscripts Additional 30091 and Egerton 2615 (fols 79-94v). London: Plainsong and Mediaeval Music Society, 1988
Music Before 1600, Models of Musical Analysis 2. Oxford: Blackwell, 1992
Analytical Strategies and Musical Interpretation (co-edited with Craig Ayrey). Cambridge: Cambridge University Press, 1996
Rethinking Music (co-edited with Nicholas Cook). Oxford: Oxford University Press, 1999
Les Organa Ă deux voix pour la messe (NoĂ«l jusquâĂ la fĂȘte des Saints Pierre et Paul) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, Le Magnus liber organi de Notre Dame de Paris 3. Monaco: Ăditions de lâOiseau Lyre, 2001
Les Organa Ă deux voix pour la messe (Assomption jusquâau commun des saints) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, Le Magnus liber organi de Notre Dame de Paris 4. Monaco: Ăditions de lâOiseau Lyre, 2002
Les Organa Ă deux voix pour lâoffice du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, Le Magnus liber organi de Notre Dame de Paris 2. Monaco: Ăditions de lâOiseau Lyre, 2003
Music, Theater and Cultural Transfer: Paris, 1830-1914 (co-edited with Annegret Fauser). Chicago: Chicago University Press, 2009
The Cambridge Companion to Medieval Music. Cambridge: Cambridge University Press, 2011
Meyerbeer and Grand Opéra: From the July Monarchy to the Present, Speculum musicae 28. Turnhout: Brepols, 2016
The Cambridge History of Medieval Music (co-edited with Thomas Forrest Kelly), 2 vols paginated consecutively. Cambridge: Cambridge University Press 2018
Perspectives on the French Musical Press in the Long Nineteenth Century. Special issue of Journal of Music Criticism 3 (2019)
Genre and the Production of Gendered Identity on the Lyric Stage (co-edited with Jennifer Walker). Speculum musicae 55. Turnhout: Brepols , 2025