This is a list of Mark Everist’s current and forthcoming interventions with the most recent first. Although it covers the present and previous calendar years, it does not include national and international consultancy and assessment for reasons of confidentiality.
29 August – 1 September 2026: [conference paper] ‘Words, Notes and Genre: England and the Continent c1300-c1360′, at Royal Musical Asssociation Annual Conference, Belfast
6-10 July 2026: [conference] Medieval and Renaissance Music Conference, Warsaw
1-4 July 2026: [conference committee member] France: Musiques, Cultures, 1789-1914 – 20th Anniversary Conference, Venice
24-26 June 2026: [conference paper] ‘Music, Theatre and Memory: Rewriting the History of Music for the Parisian Stage’, at 22nd International Conference on Nineteenth-Century Music, Toronto
4-5 June 2026: [conference] RMA French Music Study Group, Paris
15-16 May 2026: [conference paper ‘Words, Notes and Genre: England and the Continent c1300-c1360′, at conference Fragmented Musical Cultures c.1150–1350: International Conference of the European Research Council Project BROKENSONG, Maynooth
13-14 May 2026: [conference Keynote address] ‘All about Authority: Genre, Institution and the Musical Ontology of Theatre’, at conference: Intellectual Property and Music in the Theatre, Barcelona
26-28 March 2026: [conference session chair] La modalité dans la musique française à l’orée du XX e siècle, Paris
26 January 2026: [publication] ‘Time, Place, Tradition: Authorizing Musical Adaptation in the Long Nineteenth-Century’. Roczniki Humanistyczne 12 (2025): 83-103
17 January 2026: [conference paper] ‘Refrains and Songs: a Ten-Year Anniversary’, at conference Rencontres de Musicologie Médiévale (RMM2026), Metz
3 January 2026: [publication] ‘‘Un caractère tout à fait classique’: Parisian Practices of Arrangement and the Domestic Debt to the Past’. In Nancy November and Imogen Morris (eds), Amateur Musicians in the Nineteenth Century: Markets, Practices, and Identities. London and New York, Bloomsbury, 2026, 51-85
10-11 December 2025: [conference paper] ‘Soldats vaillants et gentilles dames : La Dame blanche dans le vaudeville et les répertoires apparentés’, at conference Les 200 ans de La Dame blanche de Boieldieu et Scribe : genèse, création, circulation, représentations, Paris
9 December 2025: [publication] ‘Resonances from Beyond the Grave: Music and the Occult in Nineteenth-Century Paris’. Journal of the American Musicological Society 78 (2025): 665-713
4-6 December 2025: [conference paper] ‘Détente, Résistancialisme and Shostakovich Reception: Paris brûle-t-il? and the Music of Violence’, at conference Musique et violence à l’épreuve des genres dans le cinéma européen (1970-2000) : porosités et résonances, Rouen
20-22 November 2025: [conference paper] ‘Hercules Slaying Monsters, Aristippus Advising Diogenes: Classical Allusion, the Conductus and the Carmina Burana’, at conference Carmina Burana – Vom Kodex zum Klang, Basel
6-9 November 2025: [co-convener and panelist] ‘Music of the Long Thirteenth Century: Genre, Kind, and Culture’, at conference Annual Meeting of the American Musicological Society, Minneapolis
6-9 November 2025: [convener and conference paper] ‘Music on the Stage of Desire: Fantaisie-opérette, 1890-1914′, at conference Annual Meeting of the American Musicological Society, Minneapolis
5-6 November 2025: [programme committee chair] ‘France: Musiques, Cultures, 1789-1918’, network meeting, Minneapolis
24 October 2025: [publication] ‘Le ‘Théâtre impossible” et les origines de l’Opérette’. Bru Zane Mediabase, 2025, 1-45. https://www.bruzanemediabase.com/en
8-9 October 2025: [seminar leader] ‘The conductus and the Carmina Burana‘, Projektwoche‘, Schola Cantorum, Basel
24-26 September 2025: [conference keynote address, and chair of two sessions] ‘Orchestral Manoeuvres in the Park: Lieu, espace and Discourses of the Liminal from the Pastourelle to the Pandemic’, keynote address at conference En plein air: Soundscapes of Ritual and Festivity in Europe and Beyond from the Middle Ages to the Present, Siena
24 September 2025: [print publication] Opéra de Salon: Parisian Societies and Spaces in the Second Empire. New York: Oxford University Press, 2025
17 August 2025: [presentation and continuity] concert with L’éléphant bleu, Servières-le-Chateau
15 July 2025: [publication] ‘Musique, journalisme et justice sociale: Paris entre les révolutions (1830-1851)’. Presse et musique au xixe siècle. Poétiques, littératures et savoirs, ed. Michel Duchesneau and Guillaume Pinson, special issue of Tangence 137 (2025): 13-42
9 July 2025: [publication] Opéra de Salon: Parisian Societies and Spaces in the Second Empire. New York: Oxford University Press, 2025
11 June 2025: [publication] Review of Helen Deeming and Frieda van der Heijden, Medieval Polyphony and Song (Cambridge: Cambridge University Press, 2023), Revista portuguesa de musicologia 10 (2025) 151-154
22-23 May 2025: [conference paper] ‘Jenseits von Bayreuth: Les discours du pèlerinage musical de Mozart à Berlioz’, at conference La pèlerinage musical en Europe durant le long XIXe siècle, Brussels
25 April 2025: [professional recognition] appointed Président of ‘Les Amis de Castil-Blaze et la vie culturelle en France au dix-neuvième siècle’
19 March 2025: [publication] ‘‘Opera’ off the Stage: Gender and Genre in opéra de salon’. In Mark Everist and Jennifer Walker (eds), Genre and the Production of Gendered Identity on the Lyric Stage), Speculum musicae 55. Turnhout: Brepols, 2025, 223-254
14-15 March 2025: [conference paper and session chair] ‘Music on the Stage of Desire: Fantaisie-opérette, 1890-1914′, at conference France: Musiques, Cultures, 1789-1918, online
13-15 January 2025: [conference paper and session chair] ‘Aetas Aurea: Le Conductus parisien et l’héritage de l’Antiquité classique’, at conference 5e Rencontres de Musique Médiévale, Lyon