20-22 November 2025: [conference paper] ‘Hercules Slaying Monsters, Aristippus Advising Diogenes: Classical Allusion, the Conductus and the Carmina Burana’, at conference Carmina Burana – Vom Kodex zum Klang, Basel
24-26 September 2025: [conference paper] ‘Music in the Open Air: Discourse, Space and Ecoculture’, keynote address at conference En plein air: Soundscapes of Ritual and Festivity in Europe and Beyond from the Middle Ages to the Present, Siena
22-23 May 2025: [conference paper] ‘Beyond Bayreuth: Discourses of Musical Pilgrimage from Mozart to Berlioz’, at conference La pèlerinage musical en Europe durant le long XIXe siècle, Brussels
25 April 2025: [professional recognition] appointed Président of ‘Les Amis de Castil-Blaze et la vie culturelle en France au dix-neuvième siècle’
19 March 2025: [publication] ‘‘Opera’ off the Stage: Gender and Genre in opéra de salon’. In Mark Everist and Jennifer Walker (eds), Genre and the Production of Gendered Identity on the Lyric Stage), Speculum musicae 55. Turnhout: Brepols, 2025, 223-254
14-15 March 2025: [conference paper and session chair] ‘Music on the Stage of Desire: Fantaisie-opérette, 1890-1914′, at conference France: Musiques, Cultures, 1789-1918, online
13-15 January 2025: [conference paper and session chair] ‘Aetas Aurea: Le Conductus parisien et l’héritage de l’Antiquité classique’, at conference 5e Rencontres de Musique Médiévale, Lyon
15 December 2024: [publication] ‘The ‘Benedicamus Domino’ and the Parisian Conductus: Distribution, History and Structure’. In Catherine Bradley (ed.), Benedicamus Domino, Epitome musical. Turnhout: Brepols, 2024, 53–65
1 December 2024: [publication] ‘Facere, componere, invenire: Reassembling the Composer in the Long Thirteenth Century’. In Anne-Zoé Rillon-Marne and Gaël Saint-Cricq (eds), Composers in the Middle Ages, Studies in Medieval and Renaissance Music 25. Woodbridge: Boydell and Brewer, 2024, 172-192
21-22 November 2024: [conference paper] ‘Paroles, notes et construction d’une musique vernaculaire dans le long XIIIe siècle’, at conference (Re)-donner sens:
L’œuvre d’art dans tous ses états, Amiens
14-17 November 2024: [panel discussant] ‘Inside the Opera House: A Multisensory Social World’, at conference Annual Meeting of the American Musicological Society, Chicago
14-17 November 2024: [conference paper] ‘Time, Place, Tradition: Authorizing Musical Adaptation in the Long Nineteenth-Century’, at conference Annual Meeting of the American Musicological Society, Chicago
6-7 November 2024: [conference paper] ‘Dancing on the Table: Comédie-vaudeville and the Séance’, at conference French Vaudeville and its European Transformations During the Long Nineteenth Century, Newcastle
9-11 October 2024: [conference paper] ‘Words, Notes and the Construction of a Vernacular Music in the Long Thirteenth Century’, at conference La poesia cantata nel medioevo. Strumenti e metodi per l’edizione e l’interpretazione, Florence
11-13 September 2024: [conference paper] ‘Aetas Aurea: The Parisian Conductus and the Legacy of Classical Antiquity’, at conference Royal Musical Association 150th Anniversary Conference, London
16 August 2024: [digital resource release] ‘Opéra de salon: Paris Societies and Spaces, 1850-1870’, The Musical Geography Project: Mapping Place and Movement Through Music History, 2024 – https://musicalgeography.org/project/opera-de-salon/
5 July 2024: [professional recognition] République Française: Ministère de la Culture, Chevalier de l’Ordre des Arts et des Lettres
4-6 July 2024: [conference chair, programme committee member and conference paper] ”Un caractère tout à fait classique’: Amédée Méreaux’s Transcriptions and the Debt to the Past’, at conference France: Musiques, Cultures, 1789-1918′, Paris
15-16 June 2024: [conference paper] ‘Practices of Arrangement and the Domestic Debt to the Past’, at conference Nineteenth-Century Musical Amateurs, Auckland
5-8 June 2024: [conference chair and programme committee member] ‘Musica Mercata: Finance, Commodity and the Music Industry from Antiquity to the Present’, Helsinki
17 May 2024: [conference response] to Clotilde Verwaerde , Université Paris 8, ‘Le roman en romances ou l’opéra de salon’, Pratiques de la musique de chambre dans l’espace domestique en Europe aux XVIIIe et XIXe siècles, Université de Tours
13-14 May 2024: [conference paper] ”Un caractère tout à fait classique’: Les transcriptions d’Amédée Méreaux et la dette envers le passé’, at conference Cent-cinquantenaire de la disparition d’Amédée Méreaux, Rouen
28-29 March 2024: [conference paper] ‘Opéra de salon in Paris 1850-1870: Performance, Space and Class’, at conference Mapping Music History, University of Aberdeen
17 March 2024: [radio broadcast] ‘L’école de Notre-Dame 12e et 13e siècle’, La culte des muses, Liberté-FM.
23-24 February 2024: [presentation and continuity] two concerts with L’éléphant bleu at Hôtel PuyRicard-Agar, Cavaillon